I’ve been overly emotional of late. It sometimes annoys me but it sometimes makes me feel like I am at my best. I am crying if it’s too bad or too good, and I am simply not giving fake smiles or hugs any more. That generally goes for my reviews and sentiments so consider this particular blog heartfelt.
A couple of Fridays ago, I was a little heartbroken – to attend Just A Band’s Wrap Up concert. Nairobi’s coolest electro-pop and funk band just announced that they are wrapping things up – well, till further notice. Blinky, Mbithi and Muli are such cool multi-talented human beings, as if being a member of JAB was never unique enough. Throughout JAB’s career, they have shown versatility with each member exuding aesthetic in everything they touch.
On the musical spectrum, no other Kenyan band oozes the fresh cool vibes that is JAB. You should see the kind of crowd they pull. It’s not just in how they sound but in their style; from how they walk, talk and keep calm. It’s even in their choice of naming albums. When JAB’s debut album: Scratch to Reveal came out in 2008, it was as if clairvoyant of what would become of the telecommunication industry of Kenya (the rise of Safaricom and Airtel airtime scratch cards), and at the same time a renaissance of the charity sweepstake scratch card days. Their second album: 82 (2009) birthed the single Ha-He whose video went viral establishing JAB’s brand as Kenya’s most unique musical exports. Their third album Sorry for the Delay (2012) was an ode to their fans appeasing them for the hiatus. Most of their videos flaunt stellar direction and cinematography. The message and videos of songs like Usinibore, Matatizo and Winning in Life show that JAB music has a lot of depth.
The trio DJ too. They also have a book out! Just A Book 🙂 They have hosted several art installations across the world, adding to their illustrious global travel and tour escapades. JAB could have easily been another cool European or American band, but I even feel bad imagining that because no other band (maybe apart from Years & Years) can come close to JAB cool and I would hate it if they weren’t Kenya’s own.
Like a butterfly’s transformation from a caterpillar – has been the careers of all of JAB members. Starting out as the silent deep husky-voiced co-producer and JAB’s lead singer, Blinky now speaks out a little more, produces way more for himself and others. He is also a TED fellow and an RBMA Alumni. I feel like Mbithi’s cinematography hasn’t been celebrated enough. Among many other awesome things, he co-edited and co-directed the viral Ha-He video with Jim Chuchu and, every other JAB video after that. He has also shot such beautiful videos for other artistes including Kavi and Mayonde. Muli is just the biggest little secret we all need to uncover. Just give him a blank piece of paper, and pencil and see what kind of caricatures he can craft in just seconds. Former JAB member Jim Chuchu is the baddest photographer and video director in same measures, I know of.
Why would they wrap up things on such a high? JAB can’t wrap up things yet because it’s time for us to hear a Blinky album, watch more Mbithi films, videos and documentaries; and read and marvel at Muli’s amazing comics and graphic novels. That “last” JAB concert was literally the hottest concert I’ve been to. I don’t think Goethe-Institut’s auditorium was the best venue for JAB’s final bow, plus the venue has bad acoustics and ventilation.
Despite the experience being marred by bad sound and extreme heat, sweltering in sweat – I was the happiest human being to see and be part of JAB’s real Day 1 army. We chanted and sang to all songs together. At one point, it felt like we all were real friends and knew each other. It kills me to imagine a hiatus from these cool people, both JAB and their fans, but as a friend and fan it gives me gratification to allow JAB to be. I can already hear sounds of JAB’s new album 🙂